This week Greh and Mike sit down with Pat O’Neil and Mark Jameson, aka SKIN CRIME. We listened to the legendary compilation CD “Music Should Hurt” on Pat’s own Self Abuse label. We cover many classic ’90s noise bands from all over the globe, what it was like to put together a comp in the pre-internet age, running a noise label in the 90s, and a ton more. This won’t hurt one little bit.
Mike and Greh got together to listen to Richard Ramirez’ 1997 CD “Memorial” on the Praxis Dr. Bearmann label from Germany. It’s a somber affair, dedicated to Richard’s friend Kevin Ogg who passed away the year prior.
Our 12th episode and it just so happens to be Collapse 12 Floors, with guest Peter Rehberg, best known for his project PITA and the essential Editions Mego label. Peter lends some insight into the dawn of the digital era by discussing Merzbow’s earliest released computer album with us. Get under a table or stand in a doorframe as we get shook.
What a treat! Philip Best (Consumer Electronics, Whitehouse, Amphetamine Sulphate, et al.) was in town and sat down with Mike and Greh to discuss the Spiral Honey CD on Work in Progress from 1996. This harsh, nasty, buzzing record is met with great elation by the three of us, Connelly makes a compliment faux pas and Philip takes some time to discuss the true benefits of our Patreon.
Russell Haswell (Consumer Electronics, Satanstornade) stopped by while in town for a show to speak with us about 1996’s Mercurated on Alchemy Records. Russell gives insight about collaborating with Masami Akita, seeing him live for the first time, and the magic of Japanese-label Merzbow CDs.
We finally dip our toes in the digital realm with 2002’s AMLUX, chosen by screenwriter Ben Collins (Super Dark Times). This record takes the three of us different places: Connelly gets locked inside a parking garage, Greh confesses his foolishness regarding post-2000s Merzbow, and Ben comes up with a movie pitch for Die Hard, but in Japan.
Mike and Greh met up with Jim Haras (Deterge, Laureate) and listened to Merzbow’s 1999 jazz-sampling classic Door Open at 8am on Alien8. Be forewarned, the three of us LOVE this record and you can certainly tell (though maybe not from the photo). Fuel up the gas-guzzler and settle in for the long haul.
With us this week is John Wiese to talk about the 1990 Merzbow CD Cloud Cock OO Grand. This marks a new era for Merzbow, the first of many CDs and the direction we’d see in the ’90s. I told John about this podcast when it was just an idea, and we’re happy to have him here for what is certainly not his last episode.
Only a month in, and doing Venereology already? We must be crazy. Mike and Greh talk to dream guest Phil Blankenship (of The Cherry Point, LHD and the legendary Troniks label) about a record that changed his life (and his high school yearbook photo).
Some late ’80s Merzbow here, selected by Grant Richardson (GNAWED) who stopped by while on tour, and as usual I can’t seem to keep Mike Connelly away from these listening sessions. Sewers, shipping containers, forklifts and orchestral composition are a few of the items on hand as we descend into the junk cavern.