Enter a world of artificial time and nature with “Now Wait for Last Year” by Caroline K. As a member of Nocturnal Emissions, Caroline helped craft a strain of early industrial, but by the time her only solo album was released, a new landscape of sound emerged. This is a very special and singular album from 1987, and we all get swept away by its scope.
Blake Edwards (Vertonen, Crippled Intellect Productions, Ballast NVP) delivers the heavy knowledge on one of industrial culture’s originators by bringing Z’EV “An Uns Memonto” CD for us to explore. Blake worked directly with Z’V to release this obscure material, and he relays the process of putting it together as well as his continuing work with Z’EV up to Z’EV’s unfortunate passing. Set your CD players to “random” and see what happens.
Spit on works of art and stand against nothing at all as we discuss The New Blockaders. This week we present the audio of the first Noisextra video done for the Tusk Festival. We go into the early history of The New Blockaders and relay thoughts on TNB from Ron Lessard, GX Jupiter Larsen, Dominick Fernow, and Chris Sienko. Anti anti anti anti anti anti anti anti anti…
Break into the Nakamatsu Ironworks Ruins with Einsturzende Neubauten in the classic music film “Halber Mensch.” Neubauten has been a gateway band for innumerable noise artists and fans, with this legendary VHS being a huge touchstone. From a site specific performance to videos to live concert footage, “Halber Mensch” perfectly showcases the deconstructed world of Einsturzende Neubauten.
Another noise history lesson is in session with our guest Mason Jones. From the rising tide of early ’90s Japanese noise to the “Japanese American Noise Treaty,” Mason was directly involved in shining a spotlight onto the noise underground. His project Trance has a CD of material from 1991 called “Ancient History” out today from Troniks/Helicopter.
Shane English (L.I.E.S. recording artist/Corporate Park) joins us to talk about Esplendor Geometrico “Mekano Turbo,” one of his all time favorite bands and albums. Esplendor Geometrico’s brand of rhythmic industrial noise sends us to many different settings, from jungles to trains. Shane brings the full force momentum for this important slice of 1980s industrial.
From Public Bath Records to Public Bath Press, Kato David Hopkins has been flying the flag of Japanese sounds since the 1980s. He’s seen it all… from the very first Masonna shows, to innumerable classic shows at the legendary Bears club. His most recent work is a great book called “Rumors of Noizu: Hijokaidan and the Road to 2nd Damascus” that traces the experimental music scene in Japan leading up to the debut Hijokaidan LP. Get your pen and paper out for another fascinating noise history lesson.
Whether under the Crawl Unit moniker or his own name, Joe Colley has created his own unique strain of noise since the late ’80s. We were elated to have Colley join us for an in depth conversation about his work—both sonically and visually—his early experimentation, and the feeling of the boundary-free era of ’90s noise. Let the speakers crack and the floorboards creek.
Juan Mendez (Silent Servant) joins us to discuss a major root in industrial sound — Cabaret Voltaire’s “The Voice of America.” Juan talks about the importance of this record in relation to his work as well as the entire landscape of industrial and experimental music. We also get into his history as Silent Servant, his work with Sandwell District and more. The damage is done and the messages have been received.
Japanese industrial psychosis plows through the wastelands in the form of Dissecting Table’s “Between Life and Death.” We are fully on board for Ichiro Tsuji’s unique industrial art and have a blast digging into his post apocalyptic sounds. Hop into a flamethrower-equipped car and crank this dystopian masterpiece. Everyday is one more day of insanity.