Through the advent of teleportation technology, Chris Sienko returns to Noisextra and we all go the farthest back in time yet with Robert Ashley’s “The Wolfman.” Sienko lays down some serious information. “The Wolfman” is an absolute precursor to noise as we know it, and we dig our claws into this destructive piece of sound as well as Ashley’s work in the 1980s. Noise history lesson is in session.
It is time for another entry in the Pure series as we dig into one of the more obscure titles under the Pure banner in the form of Rend “Proberta Gerber.” We were able to get in touch with Sean, the man behind Rend, and he provided us with some great information not only on this CD, but also on his work with the Plague in Perspective label. No time like now to dig deep and get washed away by Rend.
We are joined again by Chris Sienko to discuss his time in the trenches as one of the people behind As Loud As Possible magazine. Chris details how the issue came together, why there were no more issues, and stories of articles and interviews he was a part of, both published and unpublished. A fascinating look at what it takes to put together a magazine of this size and scope.
Noise ambient plague sounds take hold as we discuss Gruntsplatter’s “Pest Maiden” from 1999 on Troniks. “Pest Maiden” exists in 3 forms, a two song 7”, a limited cassette, and a CD which features the complete picture. We go deep into the CD and it’s many references to the plague. Rounding out this episode, not only did we talk with Scott Candey, the man behind Gruntsplatter, but we also interviewed Jonathan Canady (Deathpile, Blunt Force Trauma) and Phil Blankenship (Troniks, The Cherry Point) to discuss working with Scott and their relationship to his work.
We go into the world of microbiology and old school noise with Bacillus’s “Epidemic” cassette from 1995 on his own Clotted Meat Portioning label. Viruses, pandemics, diseases and short bursts of pure noise all rear their head in our discussion. We also spoke with Peter Keller of Bacillus through the safety of technology. True ’90s American noise.
For the second entry in our Trashware series Jay Howard of Circuit Wound joins us to discuss noise gear. Jay came from a death metal background and began his noise creation already armed with essential weapons without even realizing it. We get into studio set ups, preferred pedals, sound sources and more. Get out your pen and paper and take notes on this noise gear class.
Chris Sienko wowed us with the unknown-to-us RRR Taste Test tape series. In the early 90s, RRR made sampler tapes of items in the RRR catalog. They look amazing. They sound amazing. They are amazing. The tapes send us into a discussion of our early noise explorations, including shows at the Fireside Bowl and the mystery of discovering noise in the 90s.
We are joined by Chris Sienko of As Loud As Possible magazine to discuss the legendary Emil Beaulieau “Anti Performance” cassette from 1991. After having been mentioned on nearly every Noisextra episode, we finally devote an entire episode to the “greatest living noise artist.” Chris dug in extensively to which anti-record is being played when as well as the history behind each record. We also discuss visiting RRR, and all try our own versions of Beaulieau’s dance moves. Straighten your tie, sharpen your record needle, and destroy all music.
Friend of the podcast G.X. Jupitter-Larsen is making a new movie called “Reference Desk” and has started a fundraiser to get it made. One of the perks is this brand new collaboration tape between GX and PAINJERK. Do you like the sounds of pumps, book pages and electronic stabs? Of course you do. Head over to igg.me/at/rdesk to support the movie and grab this cassette—the first cassette on Noiseoploy.
We are starting 2020 with a very special interview with Seymour Glass of Bananafish Magazine. We discuss the history of Bananafish and Seymour’s time in the noise trenches. He gives us anecdotes of interviews, people he worked with, and the process of putting an issue together. Another noise history lesson is in session. Tardiness will not be excused.