Adam Fritz, the man behind En Nihil, joins us for a rare talk about his history in the noise underground. We get into how he connected with Ron Lessard, Marco Corbelli, and more. En Nihil is currently in its 3rd era, and Adam gives us insight to all of his phases. Additionally, in the extra segment we get to the bottom of what the heck Adam did to Erik Hoffman for the cover of “Assertive Order of Obedience.”
Some Noisextra favorites are hitting the road for an east coast tour, so we thought it’d be a great opportunity to talk to all three projects involved — Black Leather Jesus, Moonbeam Terror, and Straight Pani
Suzy Poling (Pod Blotz) joins us for an incredible discussion about her sound and art. Suzy is an old friend of all of ours and recently went through a very harrowing ordeal and we get into what happened and how her art has helped her through this and how it will affect her work going forward. A thoughtful conversation with an fantastic artist, we can’t thank Suzy enough for sharing her experience.
We get a terrific look at operating a magazine in the 80s and 90s as Daniel Plunkett of ND Magazine sat down with us. ND started in 1982, stemming from the mail and experimental art world and moved into industrial, noise, and many other islands of sound. We get some great stories of not only putting together a magazine, but also booking John Duncan, putting together a cassette network event, and much more. In addition to having run ND, Daniel currently owns and operates End of an Ear record store in Austin, still supporting the world of underground sound.
Class is in session for another deep noise history lesson as Eric Lunde joins us to discuss his entire chassis… Read more In Conversation with Eric Lunde (Boy Dirt Car)
completely fascinating conversation going through his entire history, from growing up in Bensonhurst to taking his brand of PE all over the world. Serial killers, self disgust, graffiti, and so much more are touched on in this comprehensive episode. It was a true honor for us have a deep discussion with one of our absolute favorite artists.
Cassette culture pioneer Al Margolis of Sound of Pig and If, Bwana joins us today to take a look back at the glorious days of 80s DIY noise. Al shares stories from back in the day and how the cassette network operated. Sound of Pig was one of the most important US tape labels and its legacy still looms. Its another mandatory noise history lesson from one of the original trouble makers.
Jeph Jerman of Hands To/City of Worms/Big Body Parts and so much more joins us for an in depth discussion of his entire work. Jeph has been going since the early 80s and we get into everything from his use of field recordings, made up words, and philosophy on listening. Another engrossing noise history lesson is in session — be sure to bring a tape recorder to capture all sounds.
Erik Hoffman was cool enough to have us to his home to discuss two landmark Ground Fault CDs in the field recording realm: Eric La Casa “The Stones of the Threshold” and Lionel Marchetti “Portrait D’Un Glacier.” Erik relays some thoughts on the albums as well as working with each artist. We get into the importance of field recordings, where they can take you, and how they fit into the noise world.
We were thrilled to have Sam Rosenthal of Projekt Records, Black Tape for a Blue Girl, and more join us to head down atmospheric dark ambient branches. Sam has been operating since the early 80s and shares his thoughts on his own work, the artists that were part of the label, and how the music landscape has changed. An insightful history shadowy world of Projekt Records.