Inade – Burning Flesh

This week we take a little sidestep into one of the many tentacles of noise as we discuss industrial dark ambient project Inade and their “Burning Flesh” cassette from 1993. We embark a meditative trip through the gates of death, hear about Greh seeing Inade live and fall into the black water well that is this fantastic tape.

Chop Shop – Discrete Emissions

Bonus mini episode time. We wanted to let everyone in on what’s going on over on our Patreon site, so we discuss Chop Shop’s “Discrete Emissions” 7” on Banned Production. This episode is also timely as Chop Shop will be making a rare live appearance at the Haters 40th anniversary in Oakland this Saturday, August 17th. We travel to a hazy past through modified speakers and sounds that just aren’t right.

MSBR – Metal Stricken Terror Action

This week head back to Japan and back to the ’90s to discuss one of the all time greats, MSBR. We listen to 1995’s “Metal Stricken Terror Action” on Banned Production and our minds are blown. We cover the late Koji Tano’s legacy and importance to the world of noise, read from an interview Greh did with Koji in 1999, and dissect the beauty of MSBR’s special packaging. Steady yourself for the electro suplex of MSBR.

Maurizio Bianchi – Mectpyo Bakterium

This week Greh and Mike head back in time and over to Italy to discuss MB’s “Mectpyo Bakterium.” There are also some new additions to the podcast that include a segment covering recent listens that will kick off each episode, as well as a new member of the on air squad — Research Assistant Tara Connelly. The trio discuss listening to MB late at night and in the dark, waves of sound heading into oblivion, and oil spreading atmosphere. Turn on a night light and dig in.

Various – Music Should Hurt (with guest Skin Crime)

This week Greh and Mike sit down with Pat O’Neil and Mark Jameson, aka SKIN CRIME. We listened to the legendary compilation CD “Music Should Hurt” on Pat’s own Self Abuse label. We cover many classic ’90s noise bands from all over the globe, what it was like to put together a comp in the pre-internet age, running a noise label in the 90s, and a ton more. This won’t hurt one little bit.