background and filters it through the early 90s world of RRR and SSS. Bang on an oxygen tank and slide your fingers along piano strings. Penderecki’s Children indeed.
We return to the Pure series to cover Prick Decay’s “Mud Sound for Car Stereos” as recommended by guest Anthony Saunders. Fitting perfectly in the realm of mid ’90s RRR sound, we all wallow in the tape hiss and crudeness provided Prick Decay. In addition, Dylan Nyoukis provided some background info on this CD. How will your milk taste?
Randy Yau joins us for a discussion on his work, both sonic and visual, and we couldn’t have been more honored. His live sets are stuff of legend, and he gets into preparing for a set as well as his recording process (hint: bathrooms are involved). For this important noise history lesson, we will provide the paper, but you need to bring your own celery.
The Pure series enters our ears again in the harshest way possible with Dead Body Love “Maximum Dose.” Mike attempts to turn it down, Tara scolds Mike and won’t let him, and Greh runs his girlfriend out of the room. These are all proper reactions to this slice of 90s Italian noise, courtesy of the most important series in noise.
In part two of our discussion with Dominick Fernow, we get into his first months in Providence, leading up to a pilgrimage to Lowell, MA on Halloween 1999. Before leaving for Providence, Dominick tells a story of attempting to book a show for a noise legend in Madison. Grab a walkman and some noise tapes and come along for some more invaluable noise history.
Chris Sienko wowed us with the unknown-to-us RRR Taste Test tape series. In the early 90s, RRR made sampler tapes of items in the RRR catalog. They look amazing. They sound amazing. They are amazing. The tapes send us into a discussion of our early noise explorations, including shows at the Fireside Bowl and the mystery of discovering noise in the 90s.
We are joined by Chris Sienko of As Loud As Possible magazine to discuss the legendary Emil Beaulieau “Anti Performance” cassette from 1991. After having been mentioned on nearly every Noisextra episode, we finally devote an entire episode to the “greatest living noise artist.” Chris dug in extensively to which anti-record is being played when as well as the history behind each record. We also discuss visiting RRR, and all try our own versions of Beaulieau’s dance moves. Straighten your tie, sharpen your record needle, and destroy all music.
Time for another album in the Pure series, and this one is thick and heavy. Deathpile’s “Ne Plus Ultra” sends us inside ourselves as we explore the heart and blood of this monumental CD. Longtime favorite of all three of the crew, Deathpile delivers the goods with this unique and stand out record. We talked to Jonathan Canady and relay what he had to say about this album as well as the beginnings of Deathpile.
As October rolls on, we dive into the black leather night dungeon with Master/Slave Relationship’s “This Lubricious Love” on RRR from 1987, chosen by our guest Jim Haynes. Things get unhygienic as we discuss Debbie Jaffe’s intense personal vision, both lyrically and musically. In addition, we have a thick recent listening segment as well as mentions of “Blue Velvet,” infrasound performance, mix tapes and Nitro. Dig your heels in.
This week we celebrate the life and work of Akifumi Nakajima aka Aube. We dive headfirst into “Spindrift”, the first release on his own G.R.O.S.S label. We explore his unique sound and visual design, discuss his passion for the noise underground, and read a few words from some artists that worked directly with him. There will never be enough words to truly describe his sound and his impact, but we will always have his noise. Listen to Aube.