October has crept in, and we begin the month by speaking with Subklinik, aka Chad Davis. Subklinik has been wandering the landscapes of death industrial for over two decades and let us in to his world and process. We get into his early days, working with Marco Corbelli, his relationship with death, and much more in this captivating discussion.
With the release of the Proof of the Shooting box set out now on Self Abuse/Fusty Cunt, we thought it’d be a perfect time to have a conversation with Dan Greenwood, one half of Proof of the Shooting and the man behind the long running Diagram: A. Dan digs back into memories of special packaging assembly, discovering noise in the 90s, recording onto VHS tape and so much more.
Everyone is breaking their own rules as we dissect Sickness’ “I Have Become the Disease That Made Me” (2002). We are honored that Chris Goudreau, the man behind the project, agreed to break his own rule and lend his personal perspective to this episode. We are doubly pleased that Erik Hoffman, of Ground Fault Recordings, also agreed to share some of his memories regarding the history of this seminal work. Join us, as we piece together an audio documentary exploring the precision, nuance, and excitation of this classic noise album.
Another noise history lesson is in session with our guest Mason Jones. From the rising tide of early ’90s Japanese noise to the “Japanese American Noise Treaty,” Mason was directly involved in shining a spotlight onto the noise underground. His project Trance has a CD of material from 1991 called “Ancient History” out today from Troniks/Helicopter.
Noisextra kicks off 2021 with a new style of episode — Listener Questions. We answer questions sent in by listeners that provoke all types of discussions. Behind the scenes info, advice to new artists, memorable live shows, expanding thoughts and ideas on noise and more. Welcome to a new noise year.
Randy Yau joins us for a discussion on his work, both sonic and visual, and we couldn’t have been more honored. His live sets are stuff of legend, and he gets into preparing for a set as well as his recording process (hint: bathrooms are involved). For this important noise history lesson, we will provide the paper, but you need to bring your own celery.
From Public Bath Records to Public Bath Press, Kato David Hopkins has been flying the flag of Japanese sounds since the 1980s. He’s seen it all… from the very first Masonna shows, to innumerable classic shows at the legendary Bears club. His most recent work is a great book called “Rumors of Noizu: Hijokaidan and the Road to 2nd Damascus” that traces the experimental music scene in Japan leading up to the debut Hijokaidan LP. Get your pen and paper out for another fascinating noise history lesson.
We have entered October, the best month of the year, and wanted to do something different to kick off the Halloween season, so we decided to do a special horror movie episode with Black Leather Jesus. Sean, Richard, and the three of us selected some of our horror favorites and had a round robin discussion. Be a fly on the wall for an after-show hang out with noise and movie fanatics.
Also, today (October 7th, 2020) NOISEXTRA have released our first video podcast discussing THE NEW BLOCKADERS for Tusk Festival – it will repeat 12 hours after its initial broadcast for those who missed it!
With the upcoming “Fragmentation” 4 LP set on Hospital Productions, we had the pleasure to chat with Christina Sealey and Rich Oddie of Orphx. We go into their early days of warehouse shows and noise culture. A fascinating look at a pocket of sound experimentation emanating from a small Canadian enclave, Orphx are one of the most unique noise projects of any era.
In part two of our discussion with Dominick Fernow, we get into his first months in Providence, leading up to a pilgrimage to Lowell, MA on Halloween 1999. Before leaving for Providence, Dominick tells a story of attempting to book a show for a noise legend in Madison. Grab a walkman and some noise tapes and come along for some more invaluable noise history.