In Conversation with Dominick Fernow, part 2

In part two of our discussion with Dominick Fernow, we get into his first months in Providence, leading up to a pilgrimage to Lowell, MA on Halloween 1999. Before leaving for Providence, Dominick tells a story of attempting to book a show for a noise legend in Madison. Grab a walkman and some noise tapes and come along for some more invaluable noise history.

In Conversation with Dominick Fernow, part 1

In the first of two episodes, Dominick Fernow joins us to discuss the very beginnings of Prurient and Hospital Productions. We begin the journey in ’90s Wisconsin as he navigates the worlds of death metal and techno, which eventually leads to the noise underground. While the three of us have all known Dominick for nearly two decades, we all learned plenty of new and incredible information about his most distant past. Join us for some highly enlightening noise history.

Noisextra is assisting Hospital Productions to compile a live Prurient box set commemorating the 25th anniversary of the project. If any listeners have a live recording, video or radio show from the years 1997-2006, please email gang@noisextra.com and we will go from there.

In Conversation with Erik Hoffman

It was an honor to have Erik Hoffman on to discuss his history in noise. We get into his special packaging obsession during his time running Pinch-a-Loaf, touring Japan with Spastic Colon, the story behind the legendary Ground Fault label and so much more. Another important lesson on noise from one of the originals.

In Conversation with Scott Arford (Radiosonde)

We had the absolute pleasure to talk with Scott Arford and to dive into his work as Radiosonde and under his own name, as well as his part in the public access show “Fuck TV” and the legendary 7hz venue, studio, and label. In addition we talk zombie movies, static, and the importance of one particular fortune cookie. Another noise history lesson is underway, and you better take notes because there may be a pop up quiz down the line.

In Conversation with Joe Colley (Crawl Unit)

Whether under the Crawl Unit moniker or his own name, Joe Colley has created his own unique strain of noise since the late ’80s. We were elated to have Colley join us for an in depth conversation about his work—both sonically and visually—his early experimentation, and the feeling of the boundary-free era of ’90s noise. Let the speakers crack and the floorboards creek.

In Conversation with Black Leather Jesus

To say we had a blast talking to Richard Ramirez-Matzus Sean Ramirez-Matzus, the core of Black Leather Jesus, would be a criminal understatement. This 2 hour talk could have easily been 10 hours. We get into the early days of Black Leather Jesus and Deadline Recordings, how Richard and Sean got together, our favorite horror movies, and so much more. Time to sharpen your pencils like a knife in a giallo; another noise history lesson is in session.

In Conversation with Chris Sienko (As Loud As Possible)

We are joined again by Chris Sienko to discuss his time in the trenches as one of the people behind As Loud As Possible magazine. Chris details how the issue came together, why there were no more issues, and stories of articles and interviews he was a part of, both published and unpublished. A fascinating look at what it takes to put together a magazine of this size and scope.

Bacillus – Epidemic

We go into the world of microbiology and old school noise with Bacillus’s “Epidemic” cassette from 1995 on his own Clotted Meat Portioning label. Viruses, pandemics, diseases and short bursts of pure noise all rear their head in our discussion. We also spoke with Peter Keller of Bacillus through the safety of technology. True ’90s American noise.

Trashware 02: Circuit Wound

For the second entry in our Trashware series Jay Howard of Circuit Wound joins us to discuss noise gear. Jay came from a death metal background and began his noise creation already armed with essential weapons without even realizing it. We get into studio set ups, preferred pedals, sound sources and more. Get out your pen and paper and take notes on this noise gear class.