Ten inches of rusted metal junks eclipse all light with K2 “Anybody Can’t Catch Up With This” on Ant Zen. The material on this record is based on the classic album “The Rust,” so we compare both releases and discuss why 10″s are such a great format for noise. Additionally, Tara teaches us about the actual mountain K2.
We end the year with an all time favorite of Greh’s in the form of MSBR & Blazen y Sharp “Mass for Dead Insects” CD. Dark atmospheric noise spills into the room from a futuristic past. Greh discusses his relationship with this album and we go all in on this unique 90s noise collaboration.
From Public Bath Records to Public Bath Press, Kato David Hopkins has been flying the flag of Japanese sounds since the 1980s. He’s seen it all… from the very first Masonna shows, to innumerable classic shows at the legendary Bears club. His most recent work is a great book called “Rumors of Noizu: Hijokaidan and the Road to 2nd Damascus” that traces the experimental music scene in Japan leading up to the debut Hijokaidan LP. Get your pen and paper out for another fascinating noise history lesson.
The ancient world is alive as we discuss “Missing Volume” by the seminal and mysterious Japanese project S·Core. Fire, fog,… Read more S·Core – Missing Volume
Somehow we had not yet covered a Ground Fault CD, so we rectify that with a wallop of a disc in the form of Government Alpha “Sporadic Spectra.” Pure Japanese harsh noise oozes from our speakers, sends us to science fiction futures, and cures Tara’s headache. Heed the opening warning signal and enter the harsh world of Government Alpha.
Japanese industrial psychosis plows through the wastelands in the form of Dissecting Table’s “Between Life and Death.” We are fully on board for Ichiro Tsuji’s unique industrial art and have a blast digging into his post apocalyptic sounds. Hop into a flamethrower-equipped car and crank this dystopian masterpiece. Everyday is one more day of insanity.
Are we in the cosmos? Underwater? The jungle? It’s possible we are in all three at the same time with Nord “Electronic Initiation.” Nord is one of the earliest Japanese noise projects, and this brain buster of a CD came almost 20 years into Nord’s existence. Midway through the episode, we got messages from Kimihide Kusafuka, aka K2, aka owner of Kinky Musik Institute, the label that put this CD out. Kusafuka gave us some behind the scenes info on “Electronic Initiation” including one bit of information that changed our whole perception of the album.
Shredding down the sun-drenched modified noise guitar highway we go with Solmania’s “Trembling Tongues.” A very unique Japanese noise project, Solmania delivers some psychedelic overdrive noise. We go through an interview with Masahiko Ohno from Bananafish #9 and and get into his own noise world. Greh pronounces Solmania one way, Tara pronounces it another way, and Mike bounces between the two, which is only fitting when discussing this wild CD of noise madness.
We head back to the 1980s and get completely knocked out by Contagious Orgasm’s “Confession of Mannequin” on SSSM. An incredibly unique band in the noise/industrial/experimental underground, Contagious Orgasm’s second release is gives us a lot of sounds and images that will continue throughout their decades of work. Not only is the tape a stunner, the packaging is a true ’80s cassette culture artifact. Join us and walk through the surreal world of sound created by Contagious Orgasm.
We were thrilled to have our guest Jay Howard of Circuit Wound bring his copy of Thirdorgan “Pessimistic Cyborg” to the Noisextra studio and proceed to shred our mechanical insides. The whole crew is left numb and dazed, but wanting more. We also dug up a very rare interview with Akihiro Shimizu and relay some of what he had to say. So ahead of the curve, there is no better time to dive head first into Thirdorgan.