Randy Yau joins us for a discussion on his work, both sonic and visual, and we couldn’t have been more honored. His live sets are stuff of legend, and he gets into preparing for a set as well as his recording process (hint: bathrooms are involved). For this important noise history lesson, we will provide the paper, but you need to bring your own celery.
With the upcoming “Fragmentation” 4 LP set on Hospital Productions, we had the pleasure to chat with Christina Sealey and Rich Oddie of Orphx. We go into their early days of warehouse shows and noise culture. A fascinating look at a pocket of sound experimentation emanating from a small Canadian enclave, Orphx are one of the most unique noise projects of any era.
A photo so special it deserves its own post. Erik sent us a comped picture of his walls, covered in… Read more Erik Hoffman’s Noise Wall
It was an honor to have Erik Hoffman on to discuss his history in noise. We get into his special packaging obsession during his time running Pinch-a-Loaf, touring Japan with Spastic Colon, the story behind the legendary Ground Fault label and so much more. Another important lesson on noise from one of the originals.
We had the absolute pleasure to talk with Scott Arford and to dive into his work as Radiosonde and under his own name, as well as his part in the public access show “Fuck TV” and the legendary 7hz venue, studio, and label. In addition we talk zombie movies, static, and the importance of one particular fortune cookie. Another noise history lesson is underway, and you better take notes because there may be a pop up quiz down the line.
Whether under the Crawl Unit moniker or his own name, Joe Colley has created his own unique strain of noise since the late ’80s. We were elated to have Colley join us for an in depth conversation about his work—both sonically and visually—his early experimentation, and the feeling of the boundary-free era of ’90s noise. Let the speakers crack and the floorboards creek.
To say we had a blast talking to Richard Ramirez-Matzus Sean Ramirez-Matzus, the core of Black Leather Jesus, would be a criminal understatement. This 2 hour talk could have easily been 10 hours. We get into the early days of Black Leather Jesus and Deadline Recordings, how Richard and Sean got together, our favorite horror movies, and so much more. Time to sharpen your pencils like a knife in a giallo; another noise history lesson is in session.
We are joined again by Chris Sienko to discuss his time in the trenches as one of the people behind As Loud As Possible magazine. Chris details how the issue came together, why there were no more issues, and stories of articles and interviews he was a part of, both published and unpublished. A fascinating look at what it takes to put together a magazine of this size and scope.
For the second entry in our Trashware series Jay Howard of Circuit Wound joins us to discuss noise gear. Jay came from a death metal background and began his noise creation already armed with essential weapons without even realizing it. We get into studio set ups, preferred pedals, sound sources and more. Get out your pen and paper and take notes on this noise gear class.
Chris Groves of Cipher Productions and Night Science magazine stops by the Noisextra studio and we chat about putting together… Read more In Conversation with Chris Groves