We couldn’t have been more excited to sit down with Andy Bolus aka Evil Moisture. Andy has been going strong since 1990 and we cover a lot about his early days and early releases. We also touch on what dreams are to us, as well as Greh’s fantastic cocktails. Another noise history lesson is in session.
We are starting 2020 with a very special interview with Seymour Glass of Bananafish Magazine. We discuss the history of Bananafish and Seymour’s time in the noise trenches. He gives us anecdotes of interviews, people he worked with, and the process of putting an issue together. Another noise history lesson is in session. Tardiness will not be excused.
Our second interview from the Hospital Fest weekend is with Jilla of Moonbeam Terror and Autoerotichrist. The discussion goes deep when talking about her music and art and pivots to hilarity when talking about beans and Wisconsin. Her album “Comfort Knife” was one of our favorites of the year and her set at Hospital Fest was visceral magic. Put on your chain mail and watch out for sharp corners.
It’s our Halloween episode and we thought there was no one more appropriate to cover than Atrax Morgue. We listen to and discuss his “Paranoia” CD on Old Europa Cafe. We cover death, obsession and the darkness that Marco Corbelli infused into every moment of his recordings. In lieu of recent listening, we talk about some of our favorite Italian Giallo movies, a genre that was highly influential for Atrax Morgue. Slip on some black gloves and sharpen your knife’s blade.
GX Jupitter-Larsen returns, the entire crew plays all formats of “Wind Licked Dirt”, and we discuss all things Haters. Topics include entropy, waves, math, professional wrestling, mail art, SRL, noise and so much more. Get out your pencils and Standard Jupitter-Larsen rulers for another invaluable lesson on the history of noise, direct from the source.
Our 12th episode and it just so happens to be Collapse 12 Floors, with guest Peter Rehberg, best known for his project PITA and the essential Editions Mego label. Peter lends some insight into the dawn of the digital era by discussing Merzbow’s earliest released computer album with us. Get under a table or stand in a doorframe as we get shook.
We finally dip our toes in the digital realm with 2002’s AMLUX, chosen by screenwriter Ben Collins (Super Dark Times). This record takes the three of us different places: Connelly gets locked inside a parking garage, Greh confesses his foolishness regarding post-2000s Merzbow, and Ben comes up with a movie pitch for Die Hard, but in Japan.