This week Greh and Mike sit down with Pat O’Neil and Mark Jameson, aka SKIN CRIME. We listened to the legendary compilation CD “Music Should Hurt” on Pat’s own Self Abuse label. We cover many classic ’90s noise bands from all over the globe, what it was like to put together a comp in the pre-internet age, running a noise label in the 90s, and a ton more. This won’t hurt one little bit.
One last duo session to settle into the new mode, Greh and Mike been preparing for the Hospital fest in LA and since Junko is performing solo we figured we’d pop on 1996’s “Ferocity of Practical Life” 10″ by noise legends Hijokaidan, one of the longest running acts around. All-star lineup this time around, with classics Jojo and Junko Hiroshige, Toshiji Mikawa and Fumio Kosakai (Incapacitants) and Masami Akita! NOISE!
Our 12th episode and it just so happens to be Collapse 12 Floors, with guest Peter Rehberg, best known for his project PITA and the essential Editions Mego label. Peter lends some insight into the dawn of the digital era by discussing Merzbow’s earliest released computer album with us. Get under a table or stand in a doorframe as we get shook.
What a treat! Philip Best (Consumer Electronics, Whitehouse, Amphetamine Sulphate, et al.) was in town and sat down with Mike and Greh to discuss the Spiral Honey CD on Work in Progress from 1996. This harsh, nasty, buzzing record is met with great elation by the three of us, Connelly makes a compliment faux pas and Philip takes some time to discuss the true benefits of our Patreon.
Russell Haswell (Consumer Electronics, Satanstornade) stopped by while in town for a show to speak with us about 1996’s Mercurated on Alchemy Records. Russell gives insight about collaborating with Masami Akita, seeing him live for the first time, and the magic of Japanese-label Merzbow CDs.
For this strange 1994 12″ from UK label short-lived Ten Bob Swerver, we had Elden M (Allegory Chapel Ltd., Avellan Cross) over for a nice loud listen. Elden talks about joining Merzbow on stage, touring Japan in the 90s and we give our take on a weird record from the classic era of Merzbow, including a B side with the Masami/Reiko/Bara power-trio!
Some late ’80s Merzbow here, selected by Grant Richardson (GNAWED) who stopped by while on tour, and as usual I can’t seem to keep Mike Connelly away from these listening sessions. Sewers, shipping containers, forklifts and orchestral composition are a few of the items on hand as we descend into the junk cavern.
Our third episode, we have Tara Connelly (Clay Rendering, The Haunting, The Pool at Metz) here to discuss 1997’s Hybrid Noisebloom on Vinyl Communications. Mike Connelly is here as well, and we recorded this episode on Valentine’s day. We get spacey and sensual, talk a bit about naked lady mudflaps and Tara shares a rather personal anecdote about Merzbow cover art and the act of love.
I’m joined again by Mike Connelly, along with our friend Bill Hutson (Rale, Tattered Syntax, clipping.) who chose 1995’s GREEN WHEELS CD+5″ from Self Abuse Records to discuss. We try to pronounce the track titles, talk about why Merzbow is THE ONE, and the sterilization of “bad sounds” from noise.
For this first episode, I speak with Mike Connelly (Clay Rendering, Failing Lights, Gods of Tundra, et al.) about a mutual favorite Merzbow record, TAUROMACHINE. Released in 1998 on Release/Relapse records, it’s a landmark of harsh noise that impacted both of us heavily. Also I mention fractals.